Bio

New media art beckons viewers to actively engage,

question, and reflect—not just passively observe.

Your experiences intertwine with my narratives, becoming vessels of

memory that ignite recognition and introspection.

Luyang Zou is a London-based installation artist. Deeply informed by his architectural background, his practice follows a rigorous constructive logic that moves from "digital models" to "physical manifestations." While his process typically begins with computational generation through software and code, its ultimate destination is always the material world. For Zou, code serves as the blueprint of the digital age. His core practice lies in identifying the most precise materials and mediums to translate these virtual systems into physical reality. Through this crystallization, his concepts materialize as tangible spatial environments designed to be viscerally experienced by the body.

Through his work, Zou seeks to access a macroscopic field that hovers beyond the everyday while remaining firmly anchored in physical space. When viewers engage with his installations, their perception of the immediate, microcosmic present is temporarily suspended. The boundaries of physical space are expanded, and human awareness is retuned to a slower, more profound rhythm. Here, the artwork becomes a conduit, allowing individuals to briefly step outside the fragmented scale of daily experience and sense themselves as minute coordinates within a much vaster spatial and temporal continuum.

In the post-digital era, our everyday spacetime is thoroughly saturated by pervasive information, leaving our senses in a perpetual state of overload and fatigue. Confronted with this technologically alienated condition, Zou's practice offers an opportunity for a momentary withdrawal. By reconstructing space, he guides the exhausted gaze away from the detritus of reality, inviting viewers instead to experience a more expansive, encompassing spatial "flesh." This is not an attempt to manufacture a contrived sense of the sublime, but rather an invitation to utilize the rifts within present spacetime to recalibrate our fundamental sense of "being-in-the-world."


 

Awards

2023 - Asian Lighting Design Award - ‘VOID’ - Award of Excellent Light

2023 - Asian Lighting Design Award - ‘DRIP’ - Award of Special Light

2023 - International New Media Art Competition - ‘Away’ - Excellent Award

2022 - I CUBE Immersive Experience Competition - ‘Void’ - Flashing Award

2020 - URS China Interactive Public Art Installation Design Competition - ‘Float’ - Champion

2019 - Light a London Landmark - ‘Stained Glass’ - Shortlisted

Exhibitions

2026 - Art & Technology Biennale - Group Exhibition -Shenzhen International Museum of Art, Shenzhen

2025 - Bay Area Tech-Art Triennial - Group Exhibition -GAFA Art Museum, Guangzhou

2024 - Prelude in Asylum - Group Exhibition - Asylum Chapel, London

2020 - 60 Days of Lockdown - Group Exhibition - A4 Art Museum, Chengdu, China

2019 - [D]arc Award - Group Exhibition - London, United Kingdom

2019 - Here/There - Group Exhibition - Today Art Gallery, Beijing, China

Talks & Events

2025 - Anti-digital Digital Art - Guangzhou Academy of Fine Art

2025 - Reinventing the Shape of Transience - Shanghai START Gallery

2025 - Anti-digital Digital Art - University of Fuzhou

2023 - Adobe MAX - Los Angeles Convention Center

2023 - MKGN#43 - Milton Keynes Gallery

2022 - Creative Coding Meetup - University of the Arts London

2022 - TouchDesigner Meetup - University College London